Title: The Scorpion
Rules (Prisoners of Peace, Book 1)
Author: Erin Bow
Genre: YA, Dystopian Science
Fiction
(Note:
This is one of two books my friend Rita—the queen of YA fantasy romance—gave me
to help me relax after a stressful April. A big shout out to her for the
recommendations.)
Summary
“Did you know the
man who invented the atomic bomb once said that keeping peace through
deterrence was like keeping two scorpions in one bottle?…All I did was invent
the bottle.”
—Talis
World
peace requires certain sacrifices. Princess Greta Gustafen Stuart of the Pan
Polar Confederacy just happens to be one of them. A “Child of Peace,” she’s
held hostage by the AI overlord Talis. Should her mother, the ruler of what
used to be Canada, go to war, Greta will die. And war is coming. The broken remnants of America are in terrible need of water—water Greta’s mother has,
but refuses to give.
And
then Elian arrives. The grandson of the general of the Cumberland Alliance, he
ought to be her mortal enemy. But his infectious laugh wins her over and his
defiant spirit awakens her to the injustice in their lives. Will Greta continue
to accept the Scorpion Rules? Or will she find the courage to smash the bottle?
Review
I
began reading with certain assumptions about YA Dystopian fiction in mind. This
book blew them out of the water.
Assumption #1: I expected
shoddy world-building.
Or,
not shoddy, per say, but vague. In my
experience, Dystopian fiction is an excuse to mash-up advanced technology with
a primitive way of life. That initially seemed to be the case with The
Scorpion Rules. In a world with robot proctors and advanced healing
technology, why do the children spend most of their day weeding gardens and
tending goats?
It
is perhaps a strange thing that the children of kings and presidents should
concern themselves with the sex lives of a herd of milch goats, but come the
end of August, it was time to do just that.
There
are reasons, though—the same reasons, it turns out, that people are going back
to organic farming. This is a world where over-consumption has damaged the
earth so much that Talis, the AI overlord, has forced the people into a
sustainable lifestyle. The Precepture—the bubble community of hostage
children—is meant to be a model of “environmental rationalism,” so it possible
that Greta and her friends are expected to live an extreme agrarian lifestyle
most people don’t have to deal with.
Plus,
I liked the goats. The Goat Wars was one of my favorite parts of the story.
It
turned out the nanny goats had nosed the gate open and were heading for the
melon patch. Now, among the children of Peace, melons are almost everyone’s
favorite, because of the way they have to be eaten as fast as they come in. …So
everyone who was out was keen to protect the patch. …The cohort of fourteen-
and fifteen-year-olds, who’d been waging war against the quackweed in the newly
planted kale beds, picked up their hoes and headed over at the quick march, as
orderly as a Roman legion.
As
the plot progresses, it turns out that both the low-tech farm and the high-tech
robots have pivotal roles to play. The world may seem contradictory at times,
but it feels genuine and there is a reason for it. Elements of setting, in
other words, are not cherry-picked for color. The world functions as a cohesive
whole.
Assumption #2: I expected a
love triangle.
And
yes, this book has one.
“You’re royalty, Greta. A celebrity. Like—like Guinevere.”
Da-Xie
actually laughed aloud. “Guinevere!”
But
it didn’t go where I expected. At all.
Elian
swung the empty [potato] riddle in one hand and looked from Atta to Grego. “If
she’s Guinevere, that makes you two Lancelot and Arthur. Which one’s which?”
It’s
not just that I completely mis-guessed who Greta ended up with. The
relationship itself was tested in ways I’d never have foreseen, and the future
of Greta and her love interest was ambiguous. For those who want a neat little
happily-ever-after wrapped in a bow… well, sorry, this isn’t for you. Love is a
lot more complicated than that.
Assumption
#3:
I expected an action-packed ending.
Don't
get me wrong. There is fighting, violence, and high-stakes action that hits
about the middle of the book. But the ending—the actual ending—was slow-paced,
thoughtful, and character-driven.
We
could have talked about any number of things—the work of the garden, the work
of the classroom, the recent revolutions in Sidney’s part of the world… We
didn’t, though. There are so few moments of quiet. And what is prettier than an
apple orchard in summer? The grey and ordered trunks, the sharp-sweet taste of
under-ripe apples… We let them conjure a mood of peace and tender-heartedness.
It was also
unexpected. Not to say that the ending came out of nowhere or threw out a big
twist. About three-fourths of the way through, you know what’s going to happen
and it works with what’s been set-up. It’s just that, for me, as a writer,
after reading the jacket and the first page, I already have ideas about where
the story will go, and this time, I was dead wrong.
On
the whole, I found the book to be a thought-provoking meditation on the nature
of war and peace and the sacrifices we make. It was deeper and better
researched than a lot of other YA I’ve encountered. At the same time, I did enjoy
it. I loved the description of the world, I loved the characters, I loved the
slow-simmering tension
…and
I loved the stupid, stupid goats.