Showing posts with label Magazines. Show all posts
Showing posts with label Magazines. Show all posts

Sunday, February 1, 2015

Paying Markets for Science Fiction and Fantasy Short Stories

Updated: Jan 27, 2015

Although I prefer long fiction, I do write the occasional short story and I try to submit them for publication. By and large, I've failed. In the meantime, though, I've developed a "cheat sheet" for the different markets, which allows me to scan through the list and decide where my story has the best shot. It's by no means exhaustive, but it's a good place for the aspiring writer to start.

What Kind of Markets?

Rather than splash my work everywhere, I decided to be ambitious and try for the best of the best. Therefore, with few exceptions, most of the markets on the list are:

  • Trustworthy: These are professionally published magazines, not scam artists. Most of these magazines get exclusive worldwide rights to your story for a year. You still own that copyright and once that year expires, you can post your work wherever you please. I said most, but I don't make that guarantee. Always read the contract and make sure you know what you're getting into.
  • Cost-Effective: They pay well. On top of that, there are no reading fees or nonsense of that type. I'm already a broke writer. I'm not going to be nickel and dimed. Many of the magazines do suggest you read them before submitting. However, many also offer free content on their website. So the list also doubles as a great place to hunt down free short stories.
  • Prestigious: Many of the magazines have won awards and published famous authors. If you publish here, you can brag about it on your resume.
  • Difficult: Of these markets, I've been published only once in Daily Science Fiction, after about five tries. It takes a lot of persistence and heart-ache to make it. 
  • Slow: Most of these places don't allow multiple submissions, which means you can only submit one story at a time, or simultaneous submissions, which means you can only submit that story to them. Response times vary from a few days to a few months. To top it off, occasionally they get too many stories and refuse to take any new submissions until who knows when! 

In general, these are the kinds of things the magazines are looking for:

  • They want your original work. Nothing based off TV shows or movies or books, even ones where the copyright has expired.
  • They want things that have never been published. Nowadays I think that includes websites, so don't post it to your blog or put it in your Writer's Group's anthology unless you're absolutely sure it's all right. 
  • They do not want queries. Don't try to pitch them an idea for a short story. Just send them the completed manuscript.
  • They want it edited. It doesn't have to be absolutely perfect, but it should be pretty darn close.
  • They do not want re-writes. If they reject you, just take it to the next publisher ands move on.
  • They want manuscripts submitted electronically. Very few will take mailed manuscripts. Plus, you have to pay postage and printing and that adds up.
  • They do not want emails. Most have their own service where you can log in and submit. This is to reduce the risk of a virus infection.
  • They want it formatted their way. This could mean anything from what font you use to what sort of document you can submit to whether or not you need a cover letter. Before you submit, take a few minutes to review their rules, lest you accidentally disqualify yourself over nothing.

One last note. I've focused on markets for short stories, but many of these magazines offer opportunities for artists, poets, and nonfiction writers. So if you have interests in those fields, you may want to look into some of these.

My Markets

Daily Science Fiction

Web Address: http://dailysciencefiction.com

Submission Info: http://dailysciencefiction.com/submit

Type of Magazine: Daily Online Magazine (Free)

Pay Rate: 8 cents a word

Interested In: Flash Fiction (between 100-1500 words) with speculative elements. Flash fiction series are fine, just note it in your cover letter

Not Interested In: Horror, Erotica, Military SF

How to Submit: Create Author Account and Log In. Submit manuscript in plain text on web form. (Basically, copy and paste.) Write "End" at the end of your story. Do not put your name, email, etc. in the manuscript--that goes in the account. Cover letters not needed; just put in your name.

Other Info: Since it's free, why not subscribe to Daily Science Fiction and wake up to find a short story in your email box every morning, Mon-Fri? Short stories are archived on their website. The submission process goes in two rounds. In Round One, they eliminate 80% of the stories they receive. In Round Two, they eliminate half of the Round One stories. If you make it past that, your story will be published.

The Magazine of Science Fiction and Fantasy

Web Address: https://www.sfsite.com/fsf/

Submission Info: https://www.sfsite.com/fsf/glines.htm

Type of Magazine: Print and Digital Bimonthly Magazine (Subscription)

Pay Rate: 7-12 cents per word

Interested In: Fiction, up to 25,000 words. They get too much fantasy, not enough SF or Humor

How to Submit: Submit through mail or through website, using a .doc, .docx, or rtf file.

Other Info: They are extremely picky on how the manuscript is prepared and have a sample document listed here: http://www.sfwa.org/2008/11/manuscript-preparation/

Clarkesworld Magazine

Web Address: http://clarkesworldmagazine.com

Submission Info: http://clarkesworldmagazine.com/submissions/

Type of Magazine: Hugo award-winning Monthly Print/ Digital Magazine (Subscription)

Pay Rate: 10 cents a word for the first 4000 words, 7 cents a word after that

Interested In: Science Fiction, Fantasy, and Horror Fiction from 1000-8000 words, though 4000 preferred.

Not Interested In: Extensive gore, sex, profanity. Also, they have an entire long list of cliches/ themes they're tired of on the information page

How to Submit: Submit online. Your name and contact information go on an online form. Your credentials go on the cover letter. Your manuscript can be submitted as a .doc or .rtf file. Response time is usually 2 days

Orson Scott Card's InterGalactic Medicine Show

Web Address: http://www.intergalacticmedicineshow.com

Submission Info: http://www.intergalacticmedicineshow.com/cgi-bin/mag.cgi?do=content&article=submissions

Type of Magazine: Bimonthly Digital Magazine (Subscription)

Pay Rate: 6 cents a word

Interested In: Fantasy and SF of any length

Not Interested In: Anything above a PG-13 Rating

How to Submit: Type your email address into their online submission form and they will email instructions on how to submit. Include your contact information in your manuscript. Up to 3 months response time.

Beneath Ceaseless Skies

Web Address: http://www.beneath-ceaseless-skies.com

Submission Info: http://www.beneath-ceaseless-skies.com/submissions/

Type of Magazine: Biweekly Digital Magazine (Free through email, Subscription for Kindle)

Pay Rate: 6 cents a word

Interested In: "Literary Adventure Fantasy" That is, character-driven fantasy set in a well-developed and unique secondary world. Steampunk and Weird West is okay. They prefer under 10,000 words.

Not Interested: SF, Urban Fantasy, Fairy Tales, Myths, Slapstick Humor

How to Submit: Email them at submissions@beneath-ceaseless-skies.com. The subject line should read "Submission: (Title of Your Story)" If you don't include the word "Submission" the spam filter will delete it. The manuscript should be prepared in Standard Manuscript Format (for a good example, see the link at The Magazine of Science Fiction and Fantasy). Include contact info in the manuscript. Must be .doc or .rtf. NO .docx. If worse comes to worse, paste text directly onto email. Include cover letter with your credentials, but without a synopsis. Response time is usually 2-4 weeks.

Lightspeed

Web Address: http://www.lightspeedmagazine.com

Submission Info: http://www.lightspeedmagazine.com/about/guidelines/

Type of Magazine: Hugo award-winning Digital Monthly Magazine (Free online content with Subscription options)

Pay Rate: 8 cents a word

Interested In: Fantasy and SF of 1500-7500 words, 5000 words preferred. Also accepts 12 novellas a year.

Not Interested In: Erotica, poetry, fanfiction

How to Submit: Stories must be submitted online through Moshka Online Submission System. Contact information is included on the form. On the cover letter, please include story length, publishing history, and credentials. Manuscripts must be prepared in Standard Manuscript Format (They give this link: http://www.shunn.net/format/story.html) .rtf or .doc only

Other Info: They are interested in diversity. As of writing this, they are open for submissions for their "Queers Destroy Science Fiction" special, which means that only stories written by someone identifying as "queer" are accepted. Also as of now, it is closed for normal submission due to high volume and doesn't say when it will be open.

Asimov's Science Fiction

Web Address: www.asimovs.com

Submission Info: http://www.asimovs.com/info/guidelines.shtml

Type of Magazine: Monthly Print Magazine (Subscription)

Pay Rate: 8-10 cents for up to 7500 words; 8-8.5 cents after; $1 per line of poetry, up to 40 lines

Interested In: Character-driven SF, from 1000-20,000 words

Not Interested In: Borderline fantasy is okay, but no Sword and Sorcery

How to Submit: Online Submission SystemContact information is included on the form. On the cover letter, please include story length, publishing history, and credentials. Manuscripts must be prepared in Standard Manuscript Format (http://www.shunn.net/format/story.html) .rtf, .doc, .docx Response time usually 5 weeks

Other Info: accepts mailed submissions, too

Analog

Web Address: http://www.analogsf.com/

Submission Info: http://www.analogsf.com/information/submissions.shtml



Type of Magazine: Monthly Print Magazine (Subscription)

Pay Rate: 8-10 cents for up to 7500 words; 8-8.5 cents after; 6 cents per word for serials; 9 cents a word for fact-based articles; $1 per line of poetry, up to 40 lines

Interested In: SF stories in which future science or technology plays an integral role in the plot. They prefer short stories 2000-7000 words,. novellas 10,000-20,000 words, and serials 40,000-80,000 words. They also accept fact-based Nonfiction written in lay terms about 4000 words and poetry

How to Submit: Online Submission SystemContact information is included on the form. On the cover letter, please include story length, publishing history, and credentials. Manuscripts must be prepared in Standard Manuscript Format (http://www.shunn.net/format/story.html) .doc only Response time usually 2-3 months

Other Info: Reluctantly accepts mailed submissions

Apex Magazine

Web Address: http://www.apex-magazine.com/?et_no_mobile=1

Submission Info: http://www.apex-magazine.com/submission-guidelines/

Type of Magazine: Monthly Digital Magazine (Subscription)

Pay Rate: 6 cents a word for fiction, plus an additional 1 cent per word if they choose to podcast your story; poetry is 25 cents per line

Interested In: Fantasy, SF, Horror.  In their words, "Works full of marrow and passion, stories that are twisted, strange, and beautiful." Fiction up to 7500 words. Poetry up to 200 lines.

How to Submit: It seems like you can either email editor Lesley Conner at lesley@apexbookcompany.com or submit an online form. I don't see any information on types of documents. Manuscripts must be prepared in Standard Manuscript Format (http://www.shunn.net/format/story.html) Up to 5 poems may be submitted at a time

Other Info: Your story may be selected for a podcast and will be forever archived on the website, though you still have the rights to publish your story elsewhere after the contract expires

Strange Horizons

Web Address: http://www.strangehorizons.com

Submission Info: http://www.strangehorizons.com/Guidelines.shtml (general) http://www.strangehorizons.com/guidelines/fiction.php (fiction)

Type of Magazine: Weekly Online Magazine (Free)

Pay Rate: 8 cents a word

Interested In: Speculative Fiction: SF, Fantasy, some Horror up to 10,000 words, though 5000 is preferred.

Not Interested In: They have a whole list of tired plots here: http://www.strangehorizons.com/guidelines/fiction-common.shtml

How to Submit: Send your story to the submission gateway; NO EMAILS. (Note: the submission gateway closes if they receive too many stories, but reopens every night at midnight Eastern time.) Cover letter optional. Response time 40 days.

Other Info: "Strange Horizons is incorporated as a non-profit corporation in the state of Utah, USA. With an all-volunteer staff and a limited budget for advertising and self-promotion, the magazine's financial resources are devoted to professionally compensating writers for publication rights to their works." In addition to fiction, they are also looking for art, poetry, nonfiction, podcast readers, and reviews.

Cicada

Web Address: http://www.cicadamag.com

Submission Info: https://cricketmag.submittable.com/submit/17820

Type of Magazine: Print and Digital Bimonthly Magazine geared to a YA Audience (14+) (Subscription)

Pay Rate: up to 25 cents a word for fiction; up to $3.00 a line for poetry

Interested In: Fiction, all genres, from flash fiction to 9,000 words; Nonfiction up to 5,000 words; Poetry

How to Submit: Must create an account; NO EMAILS. Send completed manuscript as a .doc, .docx, .txt., or .rtf file.  Include word count (fiction/ nonfiction) or line count (manuscripts) and phone, email, and mailing address. Allow 3-6 months response time.

Other Info: Their "Creative Endeavors" section is open exclusively to writers age 14-23. It seems to be more of a contest and has different themes.

Cricket

Web Address: http://www.cicadamag.com

Submission Info: http://www.cricketmag.com/25-Submission-Guidelines-for-CRICKET-magazine-for-children-ages-9-14

Type of Magazine: Children's Literary Magazine (Age 9-14) (Subscription)

Pay Rate: 25 cents a word for Fiction and Articles; up to $3.00 a line for poetry; $75 flat rate for activities

Interested In: Contemporary Fiction; Historical Fiction; SF and Fantasy; Myths, Legends, and Folklore. 600-900 word stories preferred; 1200-1800 word stories acceptable; they will occasionally serialize stories up to 6000 words. Also interested in Nonfiction, Poetry, and Activities

Not Interested In: Sex, disturbing situations, abuse

How to Submit: Go to the online submission form "Submittable," register/ login-in, and follow instructions. NO mailed submissions or emails.

Other Info: Cricket is part of a Media Group that has several other magazines (including Cicada) aimed at a younger audience.

Flashfiction Online

Web Address: http://flashfictiononline.com/main/

Submission Info: http://flashfictiononline.com/main/submission-guidelines/

Type of Magazine: Online Monthly Magazine (Free Email or Subscribe)

Pay Rate: $60

Interested In: Complete stories from 500-1000 words. A particular fondness for SF and Fantasy, but all genres welcome

Not Interested In: Poetry. Anything over 1000 words. See this list: http://flashfictiononline.com/main/submission-guidelines/hard-sells/ No erotica, porn, graphic sex, or violence.

How to Submit: Submit online using Submishmash. Click on your genre, create an account/ log in, and submit. Format in Times New Roman or Courier New font, 12 pt. Double spaced, left alignment, one-inch margins. NO author name or information anywhere in your manuscript. (They want anonymity.) Put name and info in cover letter. doc., rtf., txt. only. NO docx.

Contest: Writers of the Future

Web Address: http://www.writersofthefuture.com

Submission Info: http://www.writersofthefuture.com/contest-rules-writers/

Type of Magazine: NA

Pay Rate: Prizes of $500, $750, and $1000 awarded every quarter; one grand prize of $5000 awarded every year

Interested In: SF and Fantasy short stories and novelettes of up to 17,000 words written by non-professional writers

Not Interested In: Poetry, children's story

How to Submit: The Contest is open only to those who have not professionally published a novel or short novel, or more than one novelette, or more than three short stories, in any medium. Only amateur writers need apply! Can send via mail or through the website. Entries submitted electronically must be double-spaced and must include the title and page number on each page, but not the author’s name. (This also goes for printed version--they want it anonymous.)

Other Info: Contestants retain all rights to their work. No entry fee. Writers judged by professional authors. Winners work goes in anthology. Illustrators of the Future Contest as well.

Ether*

* This is a less traditional market, and the stuff I wrote about in the "What Kind of Markets?" section doesn't necessarily apply. However, I'm adding it because I have experience publishing on it.

Web Address: http://www.etherbooks.com

Submission Info: http://writers.etherbooks.com/EtherLogin.aspx?ReturnUrl=%2fdefault.aspx

Type of Magazine: UK-based Free App that let's Readers purchase stories or read for free

Pay Rate: 0-??? (Ether decides whether your book is available for free or for a cost. If your short story can be purchased, your payment comes as 20% of sales.)

Interested In: Stories and Poems of all genres under 6000 words

How to Submit: Create an author's account. DO not sign up for silver membership unless you want to pay money. Submit word document. Response in 90 days.

Other Info: Last year, I wrote an article about publishing on Ether here: http://rebeccalangfantasy.blogspot.com/2014/01/publishing-on-ether.html The three stories I've submitted were all accepted, but I didn't actually get paid for any of them.

More Markets?

Want even more places to submit? Scan these websites for a list.

The Science Fiction and Fantasy Writers of America

http://www.sfwa.org (general)
http://www.sfwa.org/about/join-us/sfwa-membership-requirements/#short (list)

The Science Fiction and Fantasy Writers of America has a list of Qualifying Professional Markets for Short Fiction, which basically means a list of reliable, professional short story publishers who pay well.

Storyville: Where to Send Your Stories

http://litreactor.com/columns/storyville-where-to-send-your-stories

My friend Ned gave me this link and it's very extensive. The article includes lower paying publishers, different genres, and thoughts about the particular publishers.

Saturday, December 8, 2012

Things I've Learned From Submitting to Magazines

I am not an expert at publication.  On the contrary, I'm quite new at the game.  It was only last spring I started to take the concept of publishing seriously.  My first story was submitted this past August and in the four months that followed I have published exactly 0 works.  But I've been learning along the way and now have a slightly better grasp on the business of publication than I had even half a year ago.  To celebrate Rejection #13, here are all the things I learned while trying to get published.

1. There Are Still Paying Magazines Out There!

When I got my Writer's Digest Writer's Market 2011, I was saddened to see something like 3 fantasy magazines listed in there and came to the conclusion that there was no market for fantasy short stories.  My dream seemed over before it began.  But all was not lost.

I learned of the L. Ron Hubbard's Writers of the Future, which only considers amateur writers' work and offers prizes up to $5000 with no entry fee.  Also, the Writer's Digest 101 Best Websites for Writers included some helpful sites.  Predators and Editors, while somewhat out of date, does offer a few (mostly low-paying) magazines.

But the most helpful website by far was the Science Fiction Writers of America, which almost inadvertently gave me a cache of updated and paying websites.  The Science Fiction Writers of America will only accept published SF/F writers as members, the lowest of which must publish at least 1 short story in a magazine paying a minimum $50 or 5 cents a word.  They helpfully offer a list of qualifying magazines.  That means the twenty or so magazines listed not only specifically publish my genre, they also pay a decent amount.  Once I found this little gem, half my work was done.

2. Some Magazines are Digital and Some are Non-Profit

I was surprised to learn how many of the magazines are entirely digital and how many of the magazines simply give out their content free of charge, no ads or anything.  Sometimes you have to go to their website and sometimes they send the stories straight to your email!  Obviously, this is a wonderful opportunity for writers to research the magazines and find out exactly what kind of stories the publishers are interested in.

More amazingly, they give their content out free and still pay writers.  How do they do it?  I learned that at least some of them do all the work of applying for grant money from the government so that they can pay for quality stories.  I, personally, really am grateful for these magazines and their editors who put in so much hard work for our sakes.

3. Organization is Key

Before I got serious about submitting to magazines, I would occasionally check out the pay rates of a magazine, see what they were looking for, and daydream about submitting.  Ultimately, that got me no where.  There were too many negative feelings associated with publishing, and I just couldn't muster up the backbone to go through with it.  It was too much work, I inwardly whined.  I was too busy.

Organization changed that.  First of all, the very process of organizing changed my mental framework.  The business of publication became a business and did not hinge on my feelings at the moment.  Having a system in place made submissions efficient and far easier.

So what was my system?

I printed out forms with the name of the magazine, their email, their editor, their genre, their interests, what they were looking for, what they were NOT looking for, their pay rate, the word limits, and how to submit.  I filled out a form for every magazine (hand-written, no less) and stuck these in a binder for future reference.

When I have a story ready to submit for publication, I flip through the binder and make a list of the magazines which might be interested in the story.  I prioritize the list and go through it one magazine after the other.  After I submit, I do my record-keeping.

On a spreadsheet, I type in the name of the story, the magazine I submitted to, the date I sent it, when I can expect a response, the date it got accepted or rejected, comments, any costs for submitting the story (postage or contest fees) and any money received (which, to date, is just a big column of 0s).  I do this every time I send out a story.  I also print out a copy of my rejections.  This is partially for tax purposes (on the off chance I make enough money to pay taxes), partially to keep track of where my stories are sent, partially to see how long it takes to get a rejection.

Very basic stuff, but it does take time to make and implement a system.  

4. It is Very, Very Hard to Get Accepted

For some reason I thought that it would be easy to get published in Daily Science Fiction.  After all, they needed stories five days a week.  My logic was that they needed more stories than monthly or bimonthly magazines and so I would have a better shot at getting published due to sheer volume.

I was mistaken.

My story did actually get through the first round of cuts, "rarified company that more than 80% of submissions do not reach."  The second and final round had slightly better odds, but still "half or more of our second round stories will not ultimately see publication."  In other words, I had a 90% chance or higher of being rejected.  And, by the way, I was.  I got cut in the second round.

Now, if those are my odds for a magazine that needs 260 stories a year, I shudder to think of what my odds are for something like the Writers of the Future Contest which only accepts 12 stories a year.   

5. Feedback is More Precious Than Gold

Most of the magazines I've submitted to tell me straight out that they don't have time to give personalized feedback.  You get a polite but generic rejection letter.  The stories I sent "couldn't hold my interest" or "isn't quite what we're looking for right now" or "didn't quite work for me."  One letter told me, "To date, we have reviewed many strong stories that we did not take.  Either the fit was wrong or we'd just taken tales with a similar theme or a half dozen other reasons."

I'm beginning to wonder if the legend editors sending back manuscripts bleeding with red ink to heart-broken writers has gone the way of the dinosaurs.  I don't know what I'm doing wrong, if anything.  Perhaps the editor just didn't like it, perhaps it was bested by better stories, perhaps it was just late to the party.  There is something quite gauling in thinking your story was rejected not for any obvious reason, but because it just wasn't good enough.

If I ever do receive one of those bleeding manuscripts, I shall probably jump for joy.  Then I'll read it and weep.

6. 1st Rejection = Elation; 10th = Depression 

My first rejection letter came in the mail, and when I received it, I was devastated, but also weirdly elated.  All writers get rejected, so this letter was like a badge of proof that I was now part of the writer's club.  I had taken a step up.  I was professional now.  And I figured  after about 50 rejections, I'd start getting accepted.  That's just how it worked.

Fast-forward to rejection # 10 and the elation had worn off.  I just felt devastated.

It's like going on one of those rafting rides.  Before you even step on, you see the sign.  "You will get wet.  You may get soaked."   You see the people exiting the raft shaking water off their slippers and notice the beads of precipitation on the seats.  But still, you get on.

Rejection #1 is like hitting the first rapid and feeling cold water go down your back.  It's shocking, but also exciting.  Rejection #10 is like walking around the park in wet socks for an hour, getting a blister on your heel.  You're just sloughing through, knowing it will be a long time before conditions change and feeling helpless to do anything about it.

So expect doubt and depression and questioning your worth as a writer.  Just expect it delayed.

7. I'm More Creative Than I Thought 

I never thought of myself as an "idea" person.  My writing strength came from developing stories; that's why I preferred novels to short stories.   With a novel, I take one or two ideas and develop the heck out of them.  But with each new short story, a new idea is needed.  How was I supposed to constantly think of ideas?  My mind just didn't work that way.

Well, maybe it does.

I came up with an idea journal and forced myself to write in it.  I was not constant.  Every now and then, I'd force myself to write a page or two in the journal.  Every now and then, I'd daydream a good idea right before bed and stick it in the journal.  Every now and then, I'd stumble upon an interesting new fact or concept and play with it.

And while I can't say I'm a fount of ideas, I nearly filled up that journal in six months and came up with more ideas than I needed to.  All I needed was a journal and a half-hearted attempt at brainstorming.  Were all the ideas good?  No.  But I'm still shocked at the usable amount that I, a "non-creative" person, was able to come up with.

8.  I'm Not Sorry

I've known I've wanted to be a professional writer since I was twelve.  I pursued creative writing as a degree.  I'm 27, and I've only just started publishing.  Think of all I could have learned if I had started ten years sooner.  Aren't you sorry you waited so long?

No, honestly, I'm not.  I wasn't ready ten years ago.

For the longest time, I refused to submit to magazines.  I told myself I wasn't a short story writer.  My prose wasn't up to par, my ideas were unsellable, my stories were doomed to failure.  All true. (Probably.)  But the real reason I didn't submit was because I didn't think could handle the rejection.  I would crack under the pressure, fall into a depression, and never write again.

So, I didn't look into publishing.  Instead, I spent ten years honing my craft and building up professional armor.  I needed to know my stories were good on their own, whether they were published or not.  At the same time, I had to de-sensitize from the finished product enough to treat publishing as a business, basically detach my dreams of success from the story and cast it out like a fisherman throwing out a net.

Writing is a hard business.  Some young writers throw out their work and achieve fame and prestige.  Others get crushed.  I took the cautious path.  That's what I was comfortable with.  When you're leaning toward ready, jump.  But if you're still frozen in terror, it's okay.  Take your time.